名称：宋代葵口瑞兽铜镜

Name: Song Kui benevolent bronze mirror

类别：杂项

Category: miscellaneous

规格：直径387.5px

Specification: 15.5 cm in diameter

说明：

Description:


中国铜镜在唐代以前，以圆形为主，极少有方形的。到宋代后除继承过去的圆形、方形、葵花形、菱花形外，葵花形、菱花形镜以六葵花为最普遍。它们的棱边与唐代有所不同，有的较直，形成六边形镜。此外还有带柄镜、长方形、鸡心形、盾形、钟形鼎形等多种样式。并出现了很多花草、 鸟兽、山水、小桥、楼台和人物故事装饰题材的铜镜，还有素面镜，窄边小钮无纹饰镜，这些题材都具有浓厚的生活气息。此外，还有一些神仙、人物故事镜和八卦镜等。

Chinese bronze mirror before the tang dynasty, is given priority to with round, very few square. After the song dynasty in addition to inheriting the past, round, square, sunflower, ling, flower-like mirror with six sunflower sunflower, ling is the most common. Their edge are different from the tang dynasty, some are straight, form a hexagonal mirrors. In addition with handle, rectangle, heart-shaped mirror, peltate, bell ding form such as a variety of styles. And there are many flowers and plants, animals and birds, landscapes, Bridges, stories of gazebo and decoration of bronze mirror, also trained surface mirror, small narrow edge button no decorative mirror, all these subjects have thick life breath. In addition, there are some fairy story, character and bagua mirror, etc.

铜镜从近几十年考古发掘出土的宋代铜镜来看，其主体、纹饰也是十分丰富的。。常见的有双前镜、历史人物故事镜、盘龙镜、瑞兽镜、瑞花镜等。金代铜镜纹饰，一是仿造汉、唐、宋三代铜镜的图案；二是吸收了前者的纹样，又创造出一些新式图样。以双鱼镜、人物故事镜较为多见，特别是双鱼镜、童子攀枝镜最为流行。

Bronze mirror from the unearthed in the archaeological excavations of the song dynasty bronze mirror in recent decades, its main body, grain is also very rich. Common have double before the mirror, mirror of historical stories, panlong mirror, benevolent mirror and convex glass and so on. Kin dynasty bronze mirror decoration, is a fake han, tang, song three generations of the patterns of the bronze mirror; The second is to absorb the pattern of the former, and create some new designs. With stories of Pisces mirror, the mirror is relatively rare, especially in Pisces mirror mirror, the boy climbing branches is most popular.

铜镜也是中国青铜器铸造史的一个延续和独特风景。中国夏、商、周被称为“灿烂的青铜器时代”，然而到春秋战国以后，青铜器逐渐衰落，被更先进的生产力代表铁器所取代，但青铜镜的制造和使用并没有衰落，相反，却出现了前所未有的繁荣和发展。可以说，古铜镜在青铜文化的大家族中是独立和自成体系的，或者说是青铜文化的延续。历代铜镜的铸造工艺、铜质、纹饰、铭文等无不反映特定的时代背景，反映当时的政治、经济，宗教，文学，及风俗习惯等。真正的高价铜镜重点不只是看其年代，还要看该物是否属于那个时代的精品。2006年秋正是铜镜市场遇冷时期，一面隋唐的“放日圆形瑞兽镜”在一场拍卖会上以244万元成交，成为全场最高价。在影响价格的诸多因素中，很重要的一点，是此镜纹饰和铭文均为唐代早期镜中所罕见，工艺精湛，品相极，对与广大铜镜爱好收藏者都是梦寐以求的。

Bronze mirror is also a continuation to the history of Chinese ancient bronze casting and unique scenery. The xia, shang and zhou was known as the "brilliant Bronze Age", but later to the spring and autumn period and the warring states period, bronze gradually decline, replaced by more advanced productivity on behalf of the iron, but the bronze mirror manufacture and use did not decline, on the contrary, an unprecedented prosperity and development. The ancient bronze mirror, as it were, in the bronze culture of the nation's independence and sui generis, or a continuation of the bronze culture. Generations of bronze casting, copper, grain, inscriptions, etc all reflect the particular time background, reflect the political, economic, religion, literature, and customs and habits, etc. Real high bronze mirror key don't just see the s, it remains to be seen whether the item belongs to the era of high-quality goods. Market encounter cold period in the autumn of 2006 it was bronze mirror, one side of the sui and tang dynasties "put round benevolent mirror in an auction clinchs a deal with 2.44 million yuan, become a full high. In the many factors that affect the price, is very important, is this mirror grain and inscriptions are rare in the early tang dynasty mirror, exquisite workmanship, quality, with the vast number of collectors are coveted bronze mirror hobby.