李可染 （1907～1989），水墨画家。生于江苏徐州。1929年以优异的成绩入杭州（国际）西湖艺术院，后破格录取为研究生，师从林风眠等教授，研习 西画 。1943年应聘为重庆国立艺专讲师，从事中国画教学、创作。1946年应徐悲鸿之聘为国立北平艺专中国画教授，同时师从 齐白石 、 黄宾虹 ，潜心于民族传统绘画的研究与创作。
Li keran (1907 ~ 1989), an ink painter. Born in xuzhou, jiangsu province. In 1929, he entered hangzhou (international) west lake art institute with excellent performance, and was admitted as a graduate student. In 1943, he was hired as a lecturer of chongqing national art institute, engaged in the teaching and creation of Chinese painting. In 1946, xu beihong was employed by xu beihong as a professor of Chinese painting at the national Peiping art institute.
新中国成立后、他进一步致力于中国画艺术的革新。将“可贵者胆，所要者魂”、“用最大的功力打进去，用最大的勇气打出来”为座右铭 ，使古老的山水画艺术获得了新的生命。可染先生的山水深厚凝重，博大沉雄，以鲜明的时代精神和艺术个性促进了民族传统绘画的嬗变与升华。
After the founding of new China, he was further committed to the renovation of Chinese painting art. "Valuable courage, the soul of what is needed", "with the greatest effort to beat into, with the greatest courage to fight out" as a motto, so that the ancient art of landscape painting new life. Mr. Ke yan's landscape is profound and dignified, which promotes the transmutation and sublimation of traditional national painting with the distinctive spirit of The Times and artistic personality.
1954年后他屡下江南，探索“光”与“墨”的变幻。 李可染山水画的价值，主要是他创造性地探索出了一种新的图式，并且表现出了浑厚博大的精神力量。李可染先生自成体系的教育思想，出现了活跃于 画坛 的“李可染学派”。他不仅是画坛辛勤耕耘70余年的一代宗师，而且在艺术观念的开拓上也作出了重要贡献。代表作品有 《万山红遍》、《北国风光 》、《千岩万壑》等。
After 1954 he repeatedly jiangnan, exploring "light" and "ink" changes. The value of li keran's landscape painting is mainly that he creatively explored a new pattern and showed great spiritual strength. Li keran's own systematic education thought has appeared the "li keran school" which is active in the painting circle. He was not only a great master of painting for over 70 years, but also made an important contribution to the development of artistic concept. Representative works include "all over the mountains", "northern scenery", "thousands of rocks and valleys" and so on.
李可染的画作能让市场和学术双重认可，得力于他大量的长途写生，观山览水，积累了丰富的创作素材，使得李可染对崇山密林的表现，尤其对“逆光”的表现达到炉火纯青的境界。其水墨塑造的“逆光”迷离朦胧、流光萦回，成为其山水画最主要的艺术特征。《鲁迅故乡绍兴》、《江城朝雾》等都是其早期的写生佳作。
Li keran's paintings can be recognized both in the market and in the academic field. Thanks to his extensive long-distance sketching, mountain viewing and water viewing, he has accumulated rich creative materials, which makes his performance of the dense forests of chongshan mountain, especially his performance of "backlight", reach the realm of perfection. The "backlight" shaped by its ink and wash is blurred and hazy, lingering and becomes the main artistic feature of its landscape paintings. Lu xun's hometown shaoxing, jiangcheng dynasty fog and so on are his early works of sketching.
1954年，时年47岁的李可染与张仃、罗铭赴江南写生三个月。李可染镌“可贵者胆”、“所要者魂”两方印章自励，他自释“胆”者是敢于突破传统中的陈腐框框，“魂”者是创作具有时代精神的意境，这两句印语也成为了李可染一生对待艺术和做人的座右铭。
In 1954, at the age of 47, li keran, zhang ding and luo Ming went to jiangnan to paint for three months. Li keran engrave's seals of "valuable courage" and "important soul" encouraged himself. He said that "courage" is the courage to break through the traditional stereotypes, and "soul" is the artistic conception with the spirit of The Times. These two inscriptions have also become the motto of li keran's lifetime treatment of art and conduct.
1956年，李可染进行了一次行程数万余里的写生。他自述到：“这次写生，时间长达七八个月之久，遍历太湖、杭州、绍兴、雁荡山、黄山、岳麓山、韶山、三峡、重庆……”后来，他又说：“没有1956年，就没有后来的作品。”
In 1956, li keran made a sketch for tens of thousands of miles. "This sketch took seven or eight months to traverse taihu lake, hangzhou, shaoxing, yandang mountain, huangshan, yuelu mountain, shaoshan, three gorges, chongqing "Later, he added," without 1956, there would be no work."
这一次写生，从“对景写生”发展到了“对景创作”，追求“写实写境”到“写意造境”的升华。《万山红遍》等一大批极具代表性的作品相继面世。自此，对于“红色”的喜爱，李可染表现得异常明显。在1962年至1964年间，李可染共创作了多幅《万山红遍》。
This time, from "sketching scenes" to "creating scenes", the pursuit of "realistic writing scenes" to "freehand creating scenes" sublimation. A large number of representative works such as "all over the mountains" came out one after another. Since then, the love for "red", li keyan has been unusually obvious. Between 1962 and 1964, li keran wrote several copies of "all over the mountains".
据了解，目前，存世的李可染《万山红遍》中知名的有三幅的尺幅较大，另有四幅小尺寸的作品。其中4幅现存于国家美术机构，其余3幅均曾有过上拍经历。
It is understood that at present, there are three of the well-known works of li keran's "all over the mountains and red all over the place", and four of them are of small size. Four of them are still in the state art institute, and the other three have been photographed before.
而我们今天重点要介绍的就是我们下面看到的这幅《万山红遍》，这幅《万山红遍》是李可染先生于1962年作于广东从化温泉翠溪宾馆，由中国艺术家协会常务理事和国际艺术博览中心艺术总监，清华大学美术学院由好信教授收藏，此幅《万山红遍》流传明确有序，是由好信教授收藏这幅《万山红遍》以来首次公开展示，是李可染先生创作的《万山红遍》序列之一。
And today we focus on is what we see here I would like to introduce the "Wan Shangong times", the "Wan Shangong times" in 1962, is Mr Li Keran for guangdong conghua hot spring creek hotel, the standing director of China artists association and the international art exhibition center director, professor of tsinghua university academy of fine arts by the good faith collection, this picture "Wan Shangong times circulating clear orderly, is a good letter by professor collection of the first public display since the Wan Shangong times, is one of Mr Li Keran creation" Wan Shangong time sequence.
李可染 万山红遍 长：347cm 宽：145cm
这件作品大气磅礴，非亲临现场无法感知其气势，作品取毛主席《沁园春·长沙》之词意，气质雄壮豪迈。1962年创作此画时，正处于李可染大量写生后的理性思索时期，逐渐摆脱写生状态，把写实描绘变为抒情性的写意表现，画面物象经营布局具形式感，笔墨韵味也得到加强，既有严谨的刻意经营，又不失情感的自然流露。此画以墨作底，红为主调，强调“遍”字。以朱砂色铺陈整个画面，可谓大胆创新之举，使画面滋润明亮富有层次变化。无论是画面的经营章法，还是作画的时间地点，都是以万山红遍系列一脉相接。 这幅画以朱砂色为主调、层层堆积，将中国式山水的雄伟磅礴之气，焕发了新的视觉魅力。这一时期是李可染绘画风格的转折点，自此他创作出于以红当黑的新语言作为他绘画实践中的重要一页。
This work is grand and magnificent, can not feel its momentum if you are not present at the scene. When he created this painting in 1962, he was in the period of rational thinking after a large number of sketches by li keyan. He gradually got rid of the painting state and changed the realistic depiction into lyric freehand expression. This painting with ink as the base, red - based tone, emphasis "throughout" the word.
Spread the whole picture with vermilion color, it may be said bold innovation move, make the picture moist bright rich administrative levels change. Whether the operation of the picture, or the time and place of painting, is a series of wanshanhong. This painting is mainly in the color of vermilion, layer upon layer of accumulation, the majestic and magnificent Chinese landscape, with new visual charm. This period was the turning point of li keran's painting style, and since then he created out of the red when black new language as an important page in his painting practice.
李可染 万山红遍 长：347cm 宽：145cm
对于李可染先生在中国画坛的地位，艺术品拍卖市场给出了最好的答案：1999年，在中国嘉德拍卖会上，李可染的《万山红遍》（2.8平尺）一举夺魁，成交价高达407万元，创造了当时李可染作品拍卖的最高价位，也创造了中国画单平尺最高价位，顿时震动了整个书画界及拍卖市场。同为这一系列，2000年，在北京荣宝拍卖会上，另一件《万山红遍》（3.1平尺），在多位买家的激烈竞投下，价格一路飙升，最后在501.6万元的价位上一锤定音，使李可染作品的拍卖价和中国画单平尺价又创新高。
For Mr Li Keran in Chinese painting, art auction market is given the best answer: in 1999, the China guardian auction, Li Keran "Wan Shangong times" (2.8 feet) of topped, clinch a deal valence is as high as 4.07 million yuan, has created the Li Keran works auction the highest level at that time, also created the plain 'highest level of Chinese painting, suddenly shook the painting industry and auction markets. In 2000, another piece of "all over the mountains" (3.1 square footage) was auctioned at rongbao auction in Beijing. After fierce bidding by several buyers, the price soared all the way up. Finally, it was settled at the price of 5.016 million yuan.
李可染 万山红遍 长：347cm 宽：145cm
2015年11月，李可染先生创作另一件《万山红遍》 以5800万元起拍，经多位买家数十轮的竞夺，最终1.84亿元成交， 40多年前，荣宝斋可是只花了80元就把这幅约3.1平尺的《万山红遍》收入囊中。
In November 2015, another work by Mr. Li keran was shot for 58 million yuan, which was finally sold for 184 million yuan after dozens of rounds of bidding by multiple buyers. More than 40 years ago, rong baozhai paid only 80 yuan for this work, which is about 3.1 square feet.
李可染 万山红遍 长：347cm 宽：145cm
除了《万山红遍》，李可染还创作了一大批“红色山水画”。围绕“井冈山”大概就创作有大大小小十几幅，有《井冈山》、《革命摇篮井冈山》、《井冈山主峰图》等不同题名。1977年创作的《漓江胜境图》更是以深沉的墨色和更加辽阔的景象歌颂了祖国名山大川的深郁雄浑。
Besides "all mountains are red", li has also created a large number of "red landscape paintings". Around "jinggangshan" probably more than a dozen of creation, including "jinggangshan", "cradle of the revolution", "jinggangshan main peak map" and other titles. The li river scenic spot map, created in 1977, pays tribute to the deep and majestic mountains and rivers of China with deep ink-wash and more expansive scenes.
李可染1974年作《韶山革命圣地毛主席故居》141.5cm×243cm 1亿2420万元成交
李可染以“为祖国河山立传”为目标描绘了祖国大江南北的山河景象，无论是江南小镇的秀美、漓江胜境的缠绵，还是北方山壑的强雄，他都以自在的色彩、巨嶂式的构图、淋漓的笔法展现了祖国河山不巧的生命力。而李可染对于山水的感情，他自己也说：“我们画山水画也就是为祖国河山树碑立传，这就是山水画的爱国主义之所在。”这样的博大胸怀下创作出的作品必定是具有宏伟的艺术风格。这也就是李可染中晚期山水画中的“纪念碑性”在其创作风格上的重要体现。
Li keran describes the landscape of the great rivers and mountains of the motherland with the goal of "serving as a biography of the motherland". Whether it is the beauty of small towns in the south of the Yangtze river, the intimacy of the li river, or the strength of the mountain and ravine in the north, he shows the unskillful vitality of the country's rivers and mountains with free colors,
the composition of juzhang style, and the dripping brushwork. As for li keran's feelings about mountains and rivers, he himself said, "our painting of mountains and rivers is to write a biography for the motherland. This is the patriotism of landscape painting." The works created under such broad-mindedness must have a magnificent artistic style. This is the important reflection of the "monument" in li keyan's landscape painting in his creation style.
李可染1972年《北国风光》46cm×91cm
比起作品中的浓墨重彩，生活上的李可染却把事物看得很淡。邹佩珠曾回忆说：可染是个温厚的人，无论受什么委屈，都没怨过谁。都说文人相轻，但大家都对可染好。他自己也说过：我不一定是好人，但确实没有时间去做坏事。一个有理想的人，哪有时间去骂别人。
Compared with the strong colors in his works, li keran in life takes things lightly. Zou pei-zhu once recalled: can dyeing is a gentle person, no matter what grievances, have not complained about who. It is said that literary people are light, but we are all right to dye. He himself said: I may not be a good person, but there really is no time for evil. An ideal person has no time to scold others.
小编从英国罗斯柴尔德拍卖行驻大陆办事处亿缘文化了解到，我们今天看到的李可染先生创作《万山红遍》 将在英国罗斯柴尔德拍卖行ukrothschild进行拍卖，登录qr06.cn/FqD7C0 或者 英国罗斯柴尔德拍卖官网了解更多信息。这正是我们零距离接触李可染先生《万山红遍》的好时机。
As we know from the yi yuan culture of the mainland office of UK's rothschild auction house, the creation of "all the mountains are red" by Mr. Li keran we see today will be auctioned by ukrothschild in the UK. This is a good time for us to get to know Mr. Li keran "all over the mountains" with zero distance.
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