能够改变传统风格的瓷器：元青花，元五彩。

Can change the traditional style of porcelain: Yuan Qinghua, Yuan Wucai.

元青花瓷(又称元青花)，即元代生产的青花瓷器。青花瓷生产于唐代，兴盛于元代。成熟的青花瓷出现在元代的景德镇，纹饰最大特点是构图丰满，层次多而不乱。

元青花瓷大改传统瓷器含蓄内敛风格，以鲜明的视觉效果，给人以简明的快感。以其大气豪迈气概和艺术原创精神，将青花绘画艺术推向顶峰，确立了后世青花瓷的繁荣与长久不衰。

Yuan Qinghua porcelain(also known as Yuan Qinghua), which was produced in the Yuan Dynasty. The production of blue and white porcelain was in the Tang Dynasty and flourished in the Yuan Dynasty. The mature blue and white porcelain appeared in Jingdezhen in the Yuan Dynasty. The biggest feature of the decoration is that the composition is full, and there are many layers without chaos.
Yuan Qinghua porcelain changed the traditional porcelain implicit and introverted style, with distinctive visual effects, giving people a concise pleasure. With its heroic spirit and original artistic spirit, the art of blue flower painting was pushed to the top, and the prosperity and long-lasting prosperity of later generations of blue and white porcelain were established.

元青花

Yuan Qinghua

元代社会杂剧繁荣昌盛，北方蒙古人对南方汉人历史故事非常着迷，戏剧中人物故事情节的跌宕起伏，深深打动蒙古人爱憎分明的朴实情怀。将故事凝固在厚重结实的瓷罐上，放进蒙古包里，在存放食品杂物的同时，还可时时欣赏那回味无穷的戏剧故事。即使不小心用足踢到也不会被轻易碰碎。那些厚重而扁的元青花罐，成为蒙古皇室贵族的生活实用器。其绘画，一般采用剪纸或版刻模印取其部分拼图，在瓷胎上填色而成。透露着浓郁的年画风味。因为缺乏原创，除造型不同，精美程度大同小异。元代是南北文化大融合的激烈时期。看不到未来的迷茫，不知困惑了多少识古通今的知识分子。但文化大融合总会产生最终的结果，这种结果被当时画家吴镇(1280--1354)清醒认识到。

The social dramas of the Yuan Dynasty flourished, and the northern Mongolians were fascinated by the historical stories of the Han Chinese in the South. The ups and downs of the story of the characters in the drama deeply touched the simple feelings of the Mongols. The story is solidified on a heavy and strong porcelain jar and placed in a Mongolian bag. While storing food and groceries, you can also enjoy the endless drama story. Even if it is accidentally kicked, it will not be easily crushed. Those heavy and flat Yuan Qing flower pots have become practical tools for the life of the Mongolian royal aristocracy. Its paintings generally use paper-cut or plate engraving to print some of its puzzles and fill them with porcelain tires. It reveals a rich New Year's flavor. Because of the lack of originality, in addition to different shapes, the degree of refinement is similar. The Yuan Dynasty was a fierce period of cultural integration between North and South. Can't see the future of confusion, I don't know how many confused intellectuals. However, the cultural integration will always produce the final results. This result was clearly recognized by the painter Wuzhen(1280-1354).

元代的平民文化十分繁荣，唐诗宋词，元曲和明清小说是中国古代文学史上的三大瑰宝。元代绘画抽象简阔，且气势恢宏，草木灵动，至今仍然是中国画的主流风格。元代的制瓷业更加繁荣，风格更加开放。钧瓷由宫廷走向社会普及，虽不知钧瓷窑变的控制技术，自然窑变有时也能巧夺天工。因仿柴窑色而建于宋代的龙泉窑在元代大放光彩。元瓷呈色普遍浅淡亮丽，发色简朴准确，黑色是元瓷的灵魂色。

The civilian culture of the Yuan Dynasty was very prosperous. Tang poetry, Song poetry, Yuan Qu and Ming and Qing novels were the three treasures in the history of ancient Chinese literature. The Yuan Dynasty paintings were abstract and broad, and they were magnificent and lively. They are still the mainstream style of Chinese painting. The porcelain industry in the Yuan Dynasty was more prosperous and its style was more open. Jun porcelain from the court to popular society, although I do not know the control technology of the kiln change, the natural kiln change can sometimes be brilliant. The Longquan kiln built in the Song Dynasty because of the imitation of wood kiln color was brilliant in the Yuan Dynasty. Yuan porcelain color is generally light and bright, simple and accurate hair color, black is the soul color of Yuan porcelain.

元五彩

Yuan Wucai

五彩瓷器，产生于北宋晚期，很少出产于早起的元代，产地，只留下汉语拼音hong,jiang.的实据线索。在对汝窑进行改进时，成功地在卵白色汝窑上创烧了五彩。五彩瓷器基本色调以红 、黄、绿、蓝、紫五色彩料为主，按照花纹图案的需要施于瓷器釉上，再二次入炉经过700--800摄氏度的高温二次锫烧而成，其特点是以釉上彩的装饰方法。它的存世器物珍稀。

Colorful porcelain, produced in the late Northern Song Dynasty, is rarely produced in the early Yuan Dynasty. The origin only leaves clues to the Chinese spelling Hong, Jiang. When the kiln was improved, it successfully burned multicolored on the oval-white kiln. The basic colors of multicoloured porcelain are mainly red, yellow, green, blue, and purple colors. They are applied to porcelain glazes according to the needs of pattern patterns, and then the second time they enter the furnace after a high temperature of 700-800 degrees Celsius. It is characterized by glazed decoration methods. Its worldly artifacts are rare.

元代景德镇逐渐发展成中国瓷业生产的中心，"枢府窑"的瓷器为五彩瓷的产生奠定了基础。清朱琰《陶说》记载:"新烧大足素者，久润。有青色及五色，花且俗。"这一评述认为，作为新品种的五彩器不如元代以白为主的枢府瓷、卵白瓷和青花瓷好，反映了元代尚白的审美习俗。这对后人了解元代有五彩瓷这样一个事实，恰是一个有力的注脚。童书业先生曾说过一段话:"从整个瓷器发展史看来，元代是一个中衰时期，旧瓷虽然衰落，而新瓷已在酝酿，我们不能小看元代瓷器中的创新因素。"发现了带有"博陵第"款识的元代五彩瓷器，器型一般比较大，色彩比较鲜明，画工极尽完美，件件都堪称大师之作。

In the Yuan Dynasty, Jingdezhen gradually developed into the center of Chinese porcelain production. The porcelain of "Shufu Kiln" laid the foundation for the production of multicoloured porcelain. Qing Zhuyan's "Tao Shuo" records: "The new burning of the big foot, Jiurun. There are cyan and five colors, flowers and vulgar. "This review believes that the multicolored Ware as a new variety is not as good as the pivotal porcelain, ovoid white porcelain and blue-and-white porcelain that were mainly white in the Yuan Dynasty, reflecting the aesthetic customs of the Yuan Dynasty. This is a powerful footnote to the fact that later generations learned that there were multicolored porcelain in the Yuan Dynasty. Mr Tong Shuye once said: "From the perspective of the entire history of porcelain development, the Yuan Dynasty was a mid-decaying period. Although the old porcelain was declining, the new porcelain was already brewing. We can not underestimate the innovative factors in the porcelain of the Yuan Dynasty. "The discovery of the Yuan Dynasty multicolored porcelain with the" Bolingdi "knowledge, the device is generally relatively large, the color is relatively bright, the painter is extremely perfect, the pieces are masters.

现存世包括现记载对于元代瓷器都不多，掌握观赏方面至关重要。元代瓷器的投资价值、增幅大小与品相密切相关，同一瓷器若有器形，釉色差异，则价格之差往往高达十几倍甚至几十、上百倍，足见其器形，釉色的重要。无论瓷器珍罕与否，凡有口径磕碰、釉色不清、破损严重、看相较差者，尽量不要收藏。值得收藏的瓷器中，存世量少，质量佳，属珍贵藏品。

The existing world includes the current records for the Yuan Dynasty porcelain are not many, and it is important to master ornamental aspects. The investment value and increase in the porcelain of the Yuan Dynasty are closely related to the quality of the product. If the same porcelain has a device shape and a difference in glaze color, the difference in price is often as high as ten times or even tens or hundreds of times, indicating that the device shape and glaze color are important. Regardless of whether porcelain is rare or not, those who have calibres, unclear glaze, serious damage, and poor viewing, do not collect as much as possible. Among the porcelain worth collecting, there is a small amount of existence and good quality. It is a precious collection.

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