一、非遗传承人介绍

Introduction of the inheritor of the intangible cultural heritage

吴永慧 Yonghui Wu

艺名龙慧，苗族，湖南省湘西自治州凤凰县山江镇人。中国美术剪纸（凿花） 第五代传承人，其母亲为第四代传人，获得多项证书和奖牌。

Wu Yonghui, stage name Longhui, is a Miao minority. She is a native of Shanjiang Town, Fenghuang County, Xiangxi Autonomous Prefecture, Hunan Province. She is Chinese art paper-cut (chiseling) fifth-generation inheritor. Her mother is a fourth generation heir, won many prizes and certificates.

自幼随母亲（北京美术馆收藏其凿花作品90幅）学习苗族传统手工艺品加工技艺，在苗族民间剪纸、绣花、凿花、打花带、苗族服装服饰、银饰加工制作，均技术娴熟、造韵颇深。父亲是一位银匠师，她认真学习父母的非遗手艺，将这份宝贵财富矢志不渝地传承并发扬光大！

Since childhood, she has learned the traditional crafts of Miao handicrafts with her mother. She is skilled in many aspects including Miao paper-cutting, embroidering, chiseling, making flower belt, Miao costumes, silver jewelry processing and so on. Her father is a silversmith. She earnestly studies her parents' skills. She hopes that through her own efforts, these precious cultural wealth will be inherited and developed steadfastly.

因技术娴熟精巧，苗族特色突出，创新作品丰富，引起不少国内专家瞩目驻足围观欣赏。北京书画名家刘恪山教授也特别关心她的手艺，给她写过精美题辞。

Due to sophisticated skills, outstanding Miao characteristics and rich innovative works, she has caused many domestic experts to appreciate.Professor Liu Keshan, a famous Beijing calligraphy and painting artist, also paid special attention to her craft and wrote her beautiful inscriptions.

因被吴永慧的多才多艺和勤恳能干所打动，中国画院院士、中央美术学院教授，著名绘画大师、中国第一张生肖邮票-猴票创作者黄永玉老师为其店铺亲笔写下招牌的名字“阿雅手工”，为她留下了墨宝真迹。这是黄老师对这位年轻的苗族姑娘的认可，也是一种鼓励和鞭策，更是“阿雅手工”不断传承发展的持续动力。

Moved by Wu Yonghui's versatility and diligence, Mr. Huang Yongyu, academician of Chinese Painting Academy, professor of Central Academy of Fine Arts, famous painter and creator of the first Chinese Zodiac stamp, wrote down the signboard name "Aya Handicraft" for his shop. This is Mr. Huang's recognition of this young Miao girl. It is a kind of encouragement and spur, and it is also the continuing motive force for the continuous inheritance and development of "Aya Handicraft".

二、非遗项目介绍

Introduction of intangible cultural heritage

凿花是一种不用剪刀的剪纸艺术，因其主要源于湘西泸溪县的踏虎乡，也被称为踏虎凿花，至今仍在湘西地区流传并深受人们喜爱。

Chiseling is a kind of paper-cutting art without scissors. It is mainly originated from the Tahu Township in Luxi County, Xiangxi Autonomous Prefecture. It is also known as Tahu Flower Chiseling. It is still popular in the Xiangxi area and is deeply loved by people.

凿花的出现与苗绣有着密不可分的关系。历史上先有绣花，后有凿花，凿花为绣花提供绣模，苗家妇女一般先要将构思好的花样剪铰出来，贴在要绣的布面上，再依绣模穿针刺绣。

The appearance of chiseling has an inseparable relationship with Miao embroidery. In the history, there are embroidered flowers first, and then chiseling flowers. Chiseling provides embroidery mold for embroidering. Miao women usually cut out the conceived pattern and paste them on the surface of the cloth, and then embroider following the mold.

过去多是苗家妇女自己剪绣模，后来绣模从绣花工艺中独立出来，才逐渐出现了专门的剪纸艺人，被称为“花客”。经过历代“花客”的不断摸索，踏虎凿花以其刀法细腻、线条流畅、花样繁多、风格独特等艺术特色享誉于世。1995年入选国家级非物质文化遗产。

In the past, Miao women used to cut their own embroidery molds. Later, when the embroidery molds were separated from the embroidery process, a special paper-cut artist appeared gradually, which was called “flowerer”. After the continuous exploration of the “flowers” of the past generations, the Tahu flower chiseling is well-known for its artistic features such as delicate cutting, smooth lines, various patterns and unique styles. In 1995, it was selected as a national intangible cultural heritage.

三、非遗作品介绍

Introduction of intangible cultural heritage works

曾多次受邀远赴日本、香港、青岛、长沙等地参加展览，并作现场表演，深受行内专家和消费者的好评。

Wu Yonghui has been invited to Japan, Hong Kong, Qingdao, Changsha and other places to participate in exhibitions and live performances, which are highly praised by experts and consumers.

她长期从事苗族民间收藏，二十多年来穿乡走寨收集：古老的苗绣苗服银饰、绣花鞋、帽、手工绣制的床上用品等等。她从中受到启迪，为苗族服饰艺术改革贡献平身之力，创新出一批当代苗族服饰作品，为凤凰古城增加不少花色品种。

She has been engaged in the Miao folk collection for a long time. She has been collecting in villages for more than 20 years the ancient Miao embroidery , Miao suit, Miao silver, embroidered shoes, hats, hand-embroidered bedding and so on. She was inspired by these, contributed to the reform of the Miao costume art, and invented a number of contemporary Miao costumes, adding a lot of colors to the ancient city of Fenghuang.

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