蒙德里安 | 棕色和灰色的构成
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蒙德里安 | 棕色和灰色的构成

Composition in Brown and Gray by Piet Mondrian

中文翻译:jasmine

中文校对:花生扬

翻译仅供参考 | 视频不得商用

英文稿:

Leah: I'm in the museum's conservation studio

with Piet Mondrian's "Composition in Brown and Grey" from 1913.

It was done while he was in Paris, and in 1913

he showed a group of related works

in the Salond des Independant,

one of the big alternative exhibitions

that was held in Paris.

His work was noticed by the poet and critic,

[Guillermo Poloner], who said these were among

the most celebrated pictures in the exhibition,

and called them a form of very abstract cubism.

Mondrian was preoccupied with Picasso's work

and his cubist practice and you see references

to it in his writing of this time;

and he's very careful to say

that he's very influenced by him,

but at the same time he didn't think

Picasso went far enough on the road to abstraction.

Mondrian decides that his project is a following up

the implications of what Picasso does.

He begins to take the [scaffetoling] that emerges

in cubism, and to regularize it as a grid.

He works from his sketchbook images

of the motif of trees, and the branches

of the trees are systematized here

along here the horizontal and vertical axis;

they even begin to look a bit like architecture.

The horizontal and vertical become

the common vocabulary,

hen you see a whole variety of brush strokes.

He's exploring the relationship

between center and peripheral,

and this is a real problem for this

pioneering generation of abstract artists;

once objects are no longer

the primary thing in a work of art,

how do you figure out how to end a picture?

How do you decide what's foreground?

How do you decide what's background?

Here he is working very much

on the edges of the picture

to suggest what happens when you move

away from the structuring composition.

Piet Mondrian sent this picture from Paris,

and a group of others, back to the Netherlands

for his first one-man exhibition,

and then he traveled to The Hague a few weeks later,

but by that time World War I had broken out

and he was unable to return to Paris.