姚红

1961 出生于南京

现居南京，南京艺术学院美术学院教授、硕士生导师

Yao Hong
1961 Born in Nanjing
Currently lives in Nanjing. Professor and master tutor of the Academy of Fine Arts, Nanjing University of the Arts

任逍遥 纸本水墨 2012

Ren Xiaoyao
Ink on paper

173x82cm

化重为轻

选择古人入画，只是借题。

它提供一种距离，以此摆脱现实生活的贴近感，从而缓解时代对我们的局限。

我们不能确定是否去追随古人，但是却愿意享受与先贤交流的乐趣。

Turn Heavy into Light

Choosing the ancients into the painting is just a borrowed topic.

It provides a kind of distance to get rid of the closeness of real life, thereby alleviating the limitations of the times for us.

We are not sure whether to follow the ancients, but we are willing to enjoy the fun of communicating with the sages.

九欢 设色纸本 2015

Jiu Huan

Ink and color on paper

84x179cm

在传统绘画艺术中，我最赏其用线造型里那些轻盈与穿透的部分。它们有如“隐身术”，可将实体消弥。诸般描法过来，却能令人重量全无。诡异的造型意味使得衣下没有一具凡胎。无凡胎而又别有意趣，足见古人线条的藏匿功能。

In traditional painting art, I most like the Lightness and penetration parts of Line Modeling. They are like "Hiding" that can eliminate entities. After a variety of depiction techniques, people feel that there is no weight. The strange shape means that there is no mortal under the clothes. Unordinary and interesting, it shows the hiding function of ancient lines.

闲冬 纸本设色 2014

Idle winter

Ink and color on paper

66x133cmx2

因此，我画中人物的造型，便取这轻盈与通透一格。而对其内心复杂与无限的描绘，则移至近傍的树木。树木的某些部分时而表现得精微而多变，精微中的形势变化又如山川丘壑，令人神驰。

Therefore, the shape of the characters in my paintings is light and transparent. The complex and infinite depiction of his heart is moved to nearby trees. Some parts of the trees sometimes appear subtle and changeable, and the subtle changes in the situation are like mountains and hills, which are amazing.

参云 纸本设色 2013

Reach to the sky

Ink and color on paper

137x70cm

在画中人物的描绘上使用纤细的白描手法，是为高音区的轻盈；对于树桩树枝，我希望它们成为低音声部。试图以此取得较宽的视觉跨度。

The straightforward skill used in the depiction of the characters in the painting is for the lightness of the Holzblaser Fagott Hohe Lage; for the tree stumps and branches, I hope that they become the Bass voice. Attempt to obtain a wider visual span.

银鞍 纸本水墨 2013

The silver saddle
Ink on paper

137x70cm

《任逍遥》里那位醉汉，理应躺在石条凳上。而将其身后石条抽去，却给了他悬浮的机会。此人身上衣折线条多处交叠，似不在人物画用线的传统范式中。然而汉字书写传统里的笔划交错，倒又提供了这种有趣的参照。

The drunk in "Ren Xiaoyao" should be lying on a stone bench. But removing the stone strips behind him gave him a chance to levitate. The fold lines of this person's coat overlap in many places, which seems to be outside the traditional paradigm of line drawing. However, the staggered strokes in the writing tradition of Chinese characters provide this kind of interesting reference.

烟霞 纸本水墨 2013

Haze
Ink on paper

137x70cm

如果说《任逍遥》《秋郊吟》《扶苏》等作为一个系列所涉及的是文人们思维态度的自由。那么，《烟霞》等幅则更多表现了侠士们肢体行动的自由。它们以《史记》中“刺客列传”的意象入画，是取其自主行动的驰骋与生命戛然而止的绝诀。如同白驹过隙的瞬间，和它之后可能出现的空寂。

If it is said that "Ren Xiaoyao", "Song of Autumn Suburbs", "Fu Su" etc. as a series, it is the freedom of thinking and attitude of literati. Then, the "Haze" and other frames more show the freedom of the swordsman's body. They are painted with the image of the "Biography of the Assassin" in "Historical Records", which is a knack for the gallop of independent action and the abrupt end of life. Just like the moment when a white horse passes through the gap, and the emptiness that may appear after it.

樛木 纸本设色 2014

A tree with downward curving branches

Ink and color on paper

137x70cm

不羁，驭风行；义，无反顾。

这些画的选题有文士、武人与仕女，这与传统常规无异。但是画里的文士却未必饮茶、垂钓，也不对弈。武人未必雄壮、魁梧，亦无兵器。仕女未必弹奏、刺绣，也不揽镜。他们一律轻衣简衫，不饰不履。尽量以姿态的取向，线条的神情，运笔的疾缓，自由道出各类角色的风神、气度、美艳或是憨拙。它化重为轻，成全了一个意外的世界。

文/姚红

Unruly, control the trend; righteousness, no hesitation.

The topics of these paintings are literati, warriors and beautiful women, which are no different from traditional conventions. But the literati in the painting did not necessarily drinking tea, fishing, or playing chess. Warriors may not be strong, burly, and unarmed. Beautiful women may not playing, embroidering, and not looking at the mirror. They are all lightly clothed and undressed. As far as possible, the orientation of posture, the expression of lines, the speed and slowness of brushwork can freely express the elegant look, grace, glamorous and honest of all kinds of characters. It turns the heavy into the light, and makes an unexpected world.

Text/Yao Hong

狡童 纸本设色 2016

The cunning child

Ink and color on paper

138x35cmx3

主要展览

2018 水墨地理，21空间美术馆，东莞，中国

2016 重返山林，第四回 灵痕智性，岭南画院，岭南美术馆，广州，中国

2015 雅淳凝晖——中国画作品五人展，百家湖·香港湾仔画廊，香港，中国

2015 水墨·形意——中国当代水墨邀请展，南京，中国

2015 重返山林，第三回 灵性之痕，岭南画院，岭南美术馆，广州，中国

2014 大美江苏2014年中国名家书画邀请展，伦敦，英国

2014 “三月画会”女画家群展，海棠艺术馆，南京，中国

2013 “花开见佛”七人展，尚东美术馆，南京，中国

2012 “中日建交40年·中国画家七人展”，知弘美术馆，东京，日本

2012 “三月画会”第十回展，江苏省国画院美术馆，南京，中国

2012 闳约深美·南京艺术学院百年校庆展，中国美术馆，北京，中国

2012 南京当代艺术年度展“艺术叛徒 美术大展”，南京尚东当代艺术中心，南京，中国

2009 “彤管流芳”女画家精品联展，江苏，中国

2007 “彤管流芳”宁、京、蓉著名女画家联展，北京画院美术馆，北京，中国

2003 “三月画会”第四回展，北京画院美术馆，北京，中国

2002 “李剑晨杯”水彩画双年展，江苏省美术馆，中国

1996 “三月画展”第一回展，南京石竹斋，南京，中国

1988 第七届全国美展，中国美术馆，北京，中国

1984 第六届全国美展，中国美术馆，北京，中国

Selected Exhibitions

2018 Geography of Ink, 21 Space Art Museum, Dongguan, China

2016 Return to the Mountains, The N0.4 Spiritual Trace Intellectuality, Lingnan Painting Academy, Lingnan Art Museum, Guangzhou, China

2015 Elegant Honesty Condensed Brightness—Chinese Painting Art Exhibition of Five Artists, Baijiahu·Hong Kong Wanchai Gallery, Hong Kong, China

2015 Ink·Shape and Thought-China Contemporary Ink Painting Invitation Exhibition, Nanjing, China

2015 Return to the Mountains, The N0.3 Spiritual Traces, Lingnan Academy of Painting, Lingnan Art Museum, Guangzhou, China

2014 The great beauty Jiangsu 2014 Painting and Calligraphy Invitational Exhibition of Chinese Famous Artists, London, UK

2014 "March Painting Society" Group Exhibition of Female Painters, Haitang Art Museum, Nanjing, China

2013 "Blooming Flowers See Buddha" Exhibition of Seven Artists, Shangdong Art Museum, Nanjing, China

2012 "40 Years of Diplomatic Relations between China and Japan·Seven Chinese Painters Exhibition", Chihiro Art Museum, Tokyo, Japan

2012 "March Painting Society" Tenth Exhibition, Art Museum of Jiangsu Chinese Painting Academy, Nanjing, China

2012 Hongyue Shenmei·Nanjing University of the Arts Centennial Anniversary Exhibition, National Art Museum of China, Beijing, China

2012 Nanjing Contemporary Art Annual Exhibition "Art Traitor Art Exhibition", Nanjing Shangdong Contemporary Art Center, Nanjing, China

2009 "Women Art Life" Exhibition of Female Artists' Fine works, Jiangsu, China

2007 "Women Art Life" Joint Exhibition of Famous Female Artists in Nanjing, Beijing and Chengdu, Art Museum of Beijing Fine Art Academy, Beijing, China

2003 The Fourth Exhibition of "March Painting Society", Art Museum of Beijing Fine Art Academy, Beijing, China

2002 "Li Jianchen Cup" Watercolor Biennial Exhibition,Jiangsu Provincial Art Gallery, China

1996 The 1st exhibition of "March Painting Exhibition", Shizhuzhai, Nanjing, China

1988 The 7th National Art Exhibition, National Art Museum of China, Beijing, China

1984 The 6th National Art Exhibition, National Art Museum of China, Beijing, China

《中国 “她” 艺术》一书，由《中国女性艺术》《中国当代艺术文献》出品人邵琦领衔策划和主编，是中国国内第一本以双语呈现的大型文献巨构。通篇采用中英文双语编辑，主要面向国际读者、特别重视在国际间的学术领域进行推介与交流，因此在学术水准和编辑质量上要求甚高; 在编辑体例和装帧方面也更加国际化。力争做到高端大气，精益求精。

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