说法瑞像
南亚东南亚造像艺术专栏
南渚山房 刘冬
东南亚古代造像独立研究者
《南渚志》纪录片制片人
《Southeast asia buddhist art sumatra&java suculptre 2022》
东南亚佛像苏门答腊与爪哇雕塑，作者
黄岩博物馆《造像万千》
台州博物馆《金木荟萃》策展人
资深服饰配饰设计师
德国红点设计奖获得者
Sitting statue of Sakyamuni preaching
East Java
9-10th century
Material: alloy copper Size: 18cm high
释迦牟尼佛说法坐像
东爪哇
（公元9-10世纪）
材质：合金铜
尺寸：高 18厘米
此尊释迦牟尼说法像特征看得出是借鉴了印度那烂陀艺术，我们在印度加尔各答博物馆能看到一尊类似造像；
这也说明在同一个时空维度，艺术形式的借鉴往来是客观存在的，只不过在表达上各有取舍；
8-9世纪那烂陀释迦牟尼说法像
这两尊的区别在于背光火焰纹差异，内侧肩花，台座前端法轮和两只鹿没有，其余相似度很高。
造像整体为合金铜材质，表面光滑细腻，手感沉重。
此尊造像结说法印，以拇指与中止，（或者食指、无名指）相捻，其余各指自然舒散；佛陀开脸相比于加尔各答的那尊更加平和，目光低垂，整体依稀融入了堕罗钵底的风貌，可见爪哇工匠在融合取舍的本土化审美倾向；
此尊造像在南渚山房《Southeast asia buddhist art sumatra&java suculptre 2022》东南亚佛像苏门答腊与爪哇雕塑一本书里有辑录，P142。
The characteristics of this statue of Sakyamuni preaching can be seen as a reference to the art of Nalanda in India. We can see a statue of Sakyamuni preaching Nalanda in the 8th-9th century in the Kolkata Museum in India. The difference lies in the difference in the flame pattern of the backlight. , the inner shoulder flower, the Dharma wheel and the two deer at the front of the pedestal are absent, and the rest are very similar, which also shows that there will be many different situations in the performance and selection of statues in dissemination;
The overall statue is made of alloy brass, with a smooth and delicate surface and a heavy hand feel. This type of copper is likely to come from Bangladesh, which is similar to the material of the copper statues in Kashmir. It has good corrosion resistance and generally has a slight degree of rust; There are obvious differences in the bronze material of copper coins;
This statue is in the Dharma seal, with the thumb and the middle finger (or index finger, ring finger) twisted together, and the rest of the fingers are naturally relaxed; the Buddha's open face is more peaceful than the one in Calcutta, his eyes are lowered, and there is still a fall in the whole. The appearance of the bottom of the bowl shows the tendency of Javanese craftsmen to localize their aesthetics when combining choices;
东南亚古代造像艺术
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