【友情提示】世界那么大，为防走散，请将AYS爱易设加星标！点击上方名片-点右上角弹出菜单栏设为星标即可。

松影摇曳，屋檐半隐暮色
细流潺潺，暗香浮动窗棂
灯火阑珊，是夜空中璀璨繁星
水墨轻染，半是梦境半是情真
一石一叶，如过往篇章
宁静低语，述说持久的平和

在光影的交织中，我们寻找艺术的真谛。光影艺术在建筑中是一种独特的表现手法，它通过光线和阴影的巧妙运用，为建筑物赋予了生命和情感。在光影艺术的映衬下，建筑物不仅仅是冰冷的石砖和钢筋，而是变成了一个个有故事的空间，给人以丰富的视觉和心灵体验。光影艺术的魅力在于它的多样性和变化性。不同的光线方向、颜色和强度都可以带来完全不同的效果。建筑师们需要巧妙地运用这些元素，才能创造出真正具有吸引力的作品。同时，光影艺术也需要考虑到人的感知和心理反应。只有当人们能够真正感受到光影带来的美好和情感时，这样的建筑才能被称为成功的光影艺术作品。

In the interweaving of light and shadow, we seek the true meaning of art. Light and shadow art is a unique expression technique in architecture. It gives life and emotion to buildings through the clever use of light and shadow. In the light and shadow art, the building is not only cold stone bricks and steel bars, but becomes a space with a story, giving people a rich visual and spiritual experience. The charm of light and shadow art lies in its diversity and change. Different light directions, colors, and intensities can have completely different effects. Architects need to use these elements skillfully in order to create truly attractive works. At the same time, the art of light and shadow also needs to take into account human perception and psychological reaction. Only when people can truly feel the beauty and emotion brought by light and shadow, such a building can be called a successful light and shadow art work.

高级的东方美学设计，要摒弃简单的符号堆砌，转而追求深层的情绪价值和意境营造。它不求形似，但求神韵，以中式意境为核心，构建出移步换景、含蓄内敛、自然和谐的美学空间。在细节中，注重精神的传达，以光为媒介，以时间为轴线，塑造出千变万化的空间形态，尽显东方美学的独特魅力！

Advanced Oriental aesthetic design should abandon simple symbols and instead pursue deep emotional value and artistic conception. It does not seek resemblance, but seek charm, with Chinese artistic conception as the core, to build a change of scenery, implicit and restrained, natural and harmonious aesthetic space. In the details, pay attention to the spirit of the transmission, with light as the medium, with time as the axis, to create an ever-changing space form, fully show the unique charm of Oriental aesthetics!

一、东山瑞相院

DONGSHAN RUI PHASE

项目位于苏州东山太湖之畔，占地十亩，拥有数棵古老的银杏树。它是一个集餐饮、住宿、娱乐等多功能于一体的复合型载体。在整体设计中，采用了自然包裹的手法，如树木、小溪、石桥、雾森、石雕、草坪和墙蔓植物等元素，使建筑与自然融为一体。设计中使用黑色碳化木作为建筑外立面的包裹材料，并大量运用植物来包裹建筑。随着时间的推移，建筑与自然将逐渐融合，形成生长的建筑这一思想主题。阳光照射和四季的变化也会改变建筑的形状。也许二十年后，这个建筑将不再是现在的模样，而我们也不再是曾经的自己。注重空间细节的处理，力求营造出一个舒适、宜人的环境。

The project is located at the bank of Taihu Lake in Dongshan, Suzhou, covering an area of 10 mu, with several ancient ginkgo trees. It is a combination of catering, accommodation, entertainment and other functions in one of the complex carrier. In the overall design, natural wrapping techniques are adopted, such as trees, streams, stone Bridges, fog forests, stone carvings, lawns and wall plants, so that the building and nature are integrated. In the design, black carbonized wood is used as the wrapping material for the building facade, and a large number of plants are used to wrap the building. With the passage of time, architecture and nature will gradually merge to form the ideological theme of growing architecture. Sun exposure and the changing seasons also alter the shape of the building. Maybe 20 years from now, this building won't be the same and we won't be the same. Pay attention to the processing of spatial details, and strive to create a comfortable and pleasant environment.

一系列分散的小体量单体建筑伫立于此，它们各自孤立，占据着说大不大，说小不小的地块。如何让这些建筑之间产生联动，成为需要深入探索的问题。作为太湖边的建筑，利用水与桥来连接这些建筑，用时间的痕迹去打造这些建筑的纽带。石板、石雕、青瓦、石柱等元素被巧妙地融入其中，使得水能从桥下流过，从房屋下穿过，从树下流动。在这里，你可以听到水的声音，看到晃动的光影，感受到鸟的跳跃与鱼的游动，仿佛置身于一幅生动的画卷之中。

A series of scattered small volumes of single buildings stand here, they are isolated, occupy the big, small and small land. How to make the linkage between these buildings has become a problem that we need to explore in depth. As a building by Taihu Lake, we decided to use water and bridge to connect these buildings, and use the traces of time to create a link between these buildings. Elements such as stone slabs, stone carvings, green tiles, and stone columns are cleverly integrated to allow water to flow under Bridges, pass under houses, and flow under trees. Here, you can hear the sound of water, see the shaking of light and shadow, feel the jumping of birds and fish swimming, as if you are in a vivid picture.

单体建筑的命名也与自然、情绪和人的行为息息相关。枕流、和声、枕溪、听涧、清欢、念秋、拾忆、忘忧、久栖、良憩、尘外等名字都充满了诗意和韵味。在这些建筑内向外看去，自然的视觉引发的情绪与思考才是建筑本身存在的价值。这样的设计让每个建筑都成为了一个独立的景观节点，它们相互呼应，共同构成了一个和谐而富有生机的整体。

The naming of individual buildings is also closely related to nature, emotions and human behavior. Pillow flow, harmony, pillow stream, listening to the stream, Qinghuan, reading autumn, remembering, forgetting, Jiuqi, good rest, dust outside and other names are full of poetry and charm. From the inside out of these buildings, the emotions and thoughts triggered by the natural vision are the value of the existence of the building itself. The design allows each building to become an independent node of the landscape, which responds to each other and together forms a harmonious and vibrant whole.

二、室内美学

INTERIOR AESTHETICS

室内空间的设计思想以“空”字为线索。这个“空”字应该是一个中性词，没有具体的指向。要做到空和放空其实特别难。我们需要思考身体在一个空间里接触什么，以及在一个空间里呆上二十四小时需要什么。我们的身体形状会是什么样的呢？装饰主义的目的性又是什么呢？如何满足不同群体的需求，包括审美的、精神的、诱导性的？或许，我们在短时间内的空间体验会改变多年来形成的习惯，然后又回到固定模式。

The design idea of the interior space is based on the word "empty". The "empty" word should be a neutral word with no specific direction. To be empty and empty is actually very difficult. We need to think about what the body touches in a space and what it takes to stay in a space for twenty-four hours. What would our bodies look like? What is the purpose of decoratism? How to meet the needs of different groups, including aesthetic, spiritual, inductive? Perhaps our experience of space in a short period of time will change habits developed over the years and then return to fixed patterns.

旧物、历史、肌理、质感、自然和回收，这些元素在项目设计中的应用，是项目设计的根本。在地化的材料使用，不仅体现了对环境的尊重和保护，也展现了对历史的传承和对未来的期许。通过选择具有自然纹理和质感的材料，我们能够营造出一种真实而温暖的氛围。比如，我们可以选择粗糙的石材作为地面材料，以增加空间的质感。

The application of old objects, history, texture, texture, nature and recycling in the project design is fundamental to the project design. The use of materials in Geochem not only reflects the respect and protection of the environment, but also shows the inheritance of history and expectations for the future. By choosing materials with natural texture and texture, we were able to create an authentic and warm atmosphere. For example, we can choose rough stone as the floor material to increase the texture of the space.

本篇文章仅供学习和分享，如若图文资源侵犯您权益，请及时与我们联系，将第一时间做出处理，商务合作可添加微信，欢迎进群交流。

超级设计师联盟社群欢迎你