笔墨绘诗意：当《无题》遇上现代书画的灵韵
“飒飒东风细雨来，芙蓉塘外有轻雷”，晚唐诗人李商隐的《无题》以朦胧的意象织就千年怅惘，而在现代书画家陈持平的笔下，这份诗意跳出文字，化作笔墨与色彩的交响。
2021年深秋，陈持平以《无题》为魂，创作了系列书法与绘画作品：狂草楹联里，“春心莫共花争发，一寸相思一寸灰”的笔锋如骤雨回风，黑白（或墨色）线条在纸与板上舒展着诗中幽微的情绪；水彩画作里，翠鸟凝望着盛放的芙蕖、天鹅静卧于星点闪烁的夜塘，蓝紫与红金的晕染，恰是“芙蓉塘外轻雷”的朦胧意境，也暗合“贾氏窥帘”“宓妃留枕”的缱绻意象。
书法的狂放与绘画的柔婉，在《无题》的底色里相遇——李商隐以诗藏情，陈持平以笔墨与色彩解语，让千年之前的春心与相思，在当代艺术的语境里，重绽灵韵。
作品欣赏
无题
(唐．李商隐）
An untitled poem
(Li Shangyin of Tang Dynasty)
飒飒东风细雨来，
芙蓉塘外有轻雷。
The rustling eastern wind comes with the drizzling rain ,and outside the lotus pond there rolls a fainting thunder.
金蟾啮锁烧香入，
玉虎牵丝汲井回。
The golden toad on lock can let the incense be burned inside the oven.The jade tiger winch can draw the thread back from the well following collecting the water .
贾氏窥帘韩掾少，
宓妃留枕魏王才。
Lady Jia peeped at Hang Yuan from the curtain because of his youth.The Princess of Fu left her pillow to the Prince of Wei because of his talent.
春心莫共花争发，
一寸相思一寸灰。
My thoughts for love should not compete with the flowers by blooming together,because each inch of my love sickness will inevitably become an inch of ashes as those of the flowers.
四尺半开宣纸 ink 墨x2 2021 CP Chen 陈持平
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