“音乐是连接人类情感的强大力量。这种联系的建立并不需要太长时间。当你开始与其他人共同演奏的那一刻，你便已经能够感受到他们的情感。”
——阿莉基·马尔坎托纳图（Aliki Markantonatou）
在雅典国家花园，柔和的晨光洒落在一位身着红衣、正在弹奏古希腊里拉琴的演奏者身上。她就是希腊里拉琴演奏家阿莉基·马尔坎托纳图（Aliki Markantonatou）。她不仅是全女子音乐组合“Lyre'n'Rhapsody”的成员，也是一位致力于传授这一古老乐器演奏技艺的教师。
马尔坎托纳图表示，里拉琴不仅丰富了她的音乐人生，也为她创造了与众多中国音乐家和朋友相识、交流的宝贵机会。
阿莉基·马尔坎托纳图（Aliki Markantonatou）（摄影：Patrick Shead-Simmonds）
古希腊里拉琴是一种弦乐器，其历史至少可以追溯到公元前5世纪。在古典希腊时期，里拉琴被广泛应用于教育和诗歌吟诵。根据希腊神话，赫尔墨斯（Hermes）用龟壳制作了世界上第一把里拉琴。
马尔坎托纳图第一次接触这一乐器是在一次工作坊上，当时组织者正尝试复原这件沉寂了两千多年的古老乐器。
“对我来说，那是一场一见钟情。”她回忆道，“里拉琴的声音温暖而质朴，而且它的调弦方式十分灵活，因此很容易与其他乐器组成合奏。”
马尔坎托纳图与中国的音乐缘分始于2015年。当时，她已是“Lyre'n'Rhapsody”组合的成员，并通过与备受赞誉的中国古筝演奏家常静、笛箫演奏家张笛的合作，开启了自己的中希音乐交流之旅。
她们在网络上分享的演奏作品，为双方进一步开展音乐合作打开了大门，最终促成了专辑《爱琴海》（AEGEAN）的诞生。
回忆起这张专辑的录制过程，马尔坎托纳图坦言，最初与常静和张笛见面时，她曾感到有些紧张。然而，当她们开始共同演奏，音乐便自然而然地流淌起来。
每个人都会提出一个音乐主题，其他人则通过自己的演奏作出回应。短短五天时间里，她们录制了20首作品，并从中挑选出最优秀的10首收入最终专辑。
“那真的就像自动书写一样，一切自然而然地发生。”她感慨道。
第二年，马尔坎托纳图与合作伙伴前往中国巡演。她回忆说，中国的宏大规模给她留下了深刻印象。无论是建筑还是火车站，与她所熟悉的雅典生活相比，似乎都显得格外宏伟壮观。
巡演期间，她们共举办了三场音乐会。
“我们受邀参加的主要活动是丽水音乐节。”她回忆道，“音乐厅里座无虚席，观众们非常尊重演出。音乐会结束后，还有一些孩子走过来，请我们为他们签名。”
在中国期间，她还曾为一位年轻人教授里拉琴演奏。此后，两人一直保持联系，并通过微信继续交流音乐心得。
巡演期间，常静和张笛还向马尔坎托纳图介绍了多位中国当代音乐家。
“他们的音乐自由奔放，而且非常善于通过音乐展开对话。”她说，“与他们的相遇，让我在音乐创作和演奏理念上又向前迈进了一步。”
中国传统音乐的简约、开放与冥想般的意境，深深吸引着马尔坎托纳图。
“它就像是在讲述一个故事，”她说，“它让你能够在音乐中自由呼吸，并赋予你挥洒色彩、描绘画面的自由。”
她将演奏中国传统音乐比作使用自己的色彩作画，在音乐的世界里自由表达情感与想象。
从古筝、古琴到箫和琵琶，马尔坎托纳图表示，自己对中国传统音乐的欣赏与理解，离不开中国合作伙伴的引领和启发。如今，在她位于雅典的家中，还珍藏着一支中国朋友赠送的箫。
马尔坎托纳图认为，希腊与中国有着许多共同之处，尤其是在音乐和文化领域。
此前，她曾参与一项比较研究项目，探索中国与希腊古代歌曲和诗歌之间的联系。在研究过程中，她发现，两国许多古代诗歌在思想情感和意境表达上有着惊人的相似之处。
“李白的一首诗通过秋叶飘落的景象来表达孤独之情，”她举例说，“而另一位古希腊诗人同样借助季节的变化，抒发内心的孤寂。”
她期待未来能够通过音乐和诗歌，推动中国与希腊之间开展更多文化交流。
对于马尔坎托纳图而言，音乐是连接不同文化、促进人与人之间相互理解的重要纽带。
“音乐是连接人类情感的强大力量。这种联系的建立并不需要太长时间。当你开始与其他人共同演奏的那一刻，你便已经能够感受到他们的情感。”
——阿莉基·马尔坎托纳图（Aliki Markantonatou）
In the National Gardens of Athens, the soft morning light falls on a figure dressed in red, playing the ancient Greek lyre. Aliki Markantonatou is a Greek lyre player who is both a member of the all-female ensemble Lyre 'n' Rhapsody and a teacher of the ancient instrument. Markantonatou credits the lyre with not only enriching her musical life, but also giving her opportunities to connect with many Chinese musicians and friends.
Aliki Markantonatou (Photo/Patrick Shead-Simmonds)
The ancient Greek lyre is a stringed instrument dating back to at least the fifth century BCE. It was widely used in classical Greece for education and poetry. According to Greek mythology, the god Hermes created the first lyre using a tortoiseshell.Markantonatou's first encounter with the instrument was at a workshop, where the organizers were attempting to recreate it after more than 2000 years. "It was a love affair for me," she remarks. "The lyre has a warm, earthy sound, and its flexibility in tuning makes it easy to create an ensemble."
Markantonatou's musical journey with China began in 2015 through a collaboration with the critically acclaimed guzheng virtuoso Chang Jing and flutist Zhang Di. At the time, she was already part of Lyre 'n' Rhapsody.
The performances they shared online opened the door to a musical collaboration with Chang and Zhang, which culminated in an album called "AEGEAN."
Looking back on the process of recording the album, Markantonatou recalls that she was initially nervous about meeting Chang and Zhang. However, as soon as they played together, everything began to flow. Each of them would introduce a theme, while the others would respond through their music. In five days, 20 pieces were recorded, with the best 10 chosen for the final album. "It really was like automatic writing," she remarks.
The following year, Markantonatou and her collaborators went on tour to China. She recalls being struck by the scale of China, where everything from buildings to train stations seemed so grand in comparison with her life in Athens.
Markantonatou and her collaborators performed three concerts. "The main festival we were invited to was the Lishui Festival," she recalls. "The concert hall was filled with an audience who were very respectful. After the concert, some children also came up to us to ask for autographs." She also gave a lyre lesson to a young man, with whom she remained in touch and continued to exchange ideas afterwards on WeChat.
During the tour, Chang and Zhang introduced Markantonatou to several contemporary Chinese musicians. "Their music is free-spirited, and they are very good at creating musical dialogue," she shares. "Meeting them helped me to go one step further in my approach to music."
Markantonatou is captivated by the simplicity, openness, and meditative character of traditional Chinese music. "It is like a narrative," she remarks, "it allows you to breathe musically and gives you the freedom to paint." She compares performing traditional Chinese music to painting with one's own colors. From the guzheng and guqin to the xiao and pipa, Markantonatou credits her appreciation of Chinese music to her collaborators. She keeps a xiao in her home in Athens, which was given to her as a gift by her Chinese friends.
Markantonatou believes Greece and China have so much in common, particularly in terms of music and culture. Previously, she worked on a comparative project exploring ancient songs and poems from the two countries. She found that many of the poems shared similar meanings. "One poem by Li Bai describes the autumn leaves falling on the ground to signify a feeling of loneliness," she shares. "Another ancient Greek poet also expresses the feeling of solitude through the changing of the seasons." She hopes to see more exchanges between China and Greece through music and poetry.
For Markantonatou, "Music is a powerful tool for humanity to connect. It does not take long for this connection to occur. The moment you start playing with other people, you already begin to feel their emotions."
来源：人民网 People’s Daily Online
编译：中希时报
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