缠枝纹是瓷器装饰的纹样之一，因其图案花枝缠转不断，故称缠枝纹。构图机理是以波状线与切圆线相组合，作二方连续或四方连续展开，再在切圆空间中或波线上缀以花卉，并点以叶子，形成枝莲缠绕的缠枝纹。缠枝纹兴起在宋代，元、明、清三代盛行缠枝纹，多作主题装饰出现。此器端庄典雅，质朴古拙，刚中带柔。胎体精细，重量较轻，修胎一丝不苟，厚薄均匀，是少见的仿永宣青花大器。釉面光亮莹润，青花发色浓重艳丽，色调深蓝，为了体现永、宣青花的特点，以较浓的青花料在纹饰上刻意点染，但这些斑点漂浮于釉面。

Entangling branches is one of the patterns of porcelain decoration, because of its pattern of flowers and branches entangling constantly, so called entangling branches. The composition mechanism is a combination of wavy lines and cut circular lines, which are continuously expanded in two or four directions. Then flowers and leaves are dotted in the cut circular space or on the cut circular lines to form the twining pattern of lotus branches. In the Song Dynasty, the Yuan, Ming and Qing dynasties prevailed in tangling branches, which were mostly decorated as themes. This article is dignified and elegant, plain and simple, firm and soft. Fine body, light weight, meticulous tire repair, uniform thickness, is a rare imitation of yongxuan blue and white ware. Glaze bright jade-like embellish, blue and white hair color dense gorgeous, tonal deep blue, in order to reflect the characteristics of permanent, xuan blue and white, with thicker blue and white material in the decoration of the design of the point deliberately dyed, but these spots floating at glaze.