乔纳森·马尔卡希简介
乔纳森·马尔卡希（Jonathan Mulcahy），加拿大新锐诗人，现居上海，他是诗人、编辑和创意写作导师，目前他在上海外国语大学XWIS工作。。1984年，他出生于联合王国威尔士，随后在加拿大长大。他出版的书包括《欧洲潮流》（天鹅世界，2017年，巴黎）、《托诺帕》、《潮水RR》（加拿大拟像出版社；2018）和《故障文本生成器》（加拿大；2019)。他曾在多个国际会议上发表演讲，包括2019年在中国杭州举行的第八届中美诗歌和诗学国际会议（CAAP）、2020年在海南岛举行的海上丝绸之路国际诗歌峰会以及2021年的青海湖国际诗歌节。他是上海DIY艺术现场的活跃成员，也是FREQS的创意总监。FREQS是一个结合诗歌和其他艺术形式的双语合作活动。他的合作项目HYPERION是精神卫生组织生命线（Lifeline）在上海举办的慈善拍卖会“IN TEN 2021”的一部分。他目前正在研究超级现代主义、认知生态诗学和当代中国生态诗之间的联系。他于2021年获得第四届博鳌国际诗歌奖新锐奖。
Bio of Jonathan Mulcahy
Jonathan Mulcahy is a poet, editor, and creative writing instructor based in Shanghai. 1984 he is born in Wales and then raised in Canada, His publications include
Euryphion
(Swan World, Paris 2017),
Tonopah and Tidewater RR
(Simulacrum Press, Canada; 2018) and
Glitch Text Generator
(No Press, Canada; 2019). He has spoken at several international conferences, including The 8th International Conference of Chinese/American Poetry and Poetics (CAAP) in Hangzhou, China (2019), The Maritime Silk Road International Poetry Summit on Hainan Island (2020), and Qinghai Lake Poetry Festival (2021). Jonathan is an active member of Shanghai’s DIY art scene and creative director of
FREQS.
, a collaborative bilingual event combining poetry and other artforms. He works at Jonathan is a poet, editor, and creative writing teacher at Xiwai Foreign Language School, Shanghai International Studies University. His collaborative project
HYPERION
was featured as part of IN
TEN 2021
, a charity auction for the mental health organization Lifeline, Shanghai. He is currently researching the links between supermodernism, cognitive ecopoetics, and contemporary chinese ecopoetry.
威尔士的乡愁符号（组诗）
[加拿大]乔纳森·马尔卡希
曹谁 译
希利斯Hireath：威尔士的乡愁符号
石桥将山谷一分为二
茅草、缝纫、回声
去一个疲惫的港湾
树篱是一种抹在旧时道路伤口上的膏药
被玷污的死亡符文一去不复返
紫罗兰色的末端闪闪发光
在附近西西弗斯带着令人自豪的健忘症
沿着云端的小径往下爬
这是一场反地球的弥撒
伤痕累累的威尔士
注:
希利斯（Hireath），威尔士语为“hEer-rIth”，是一个威尔士语单词，没有直接的英语翻译。它可以被比作一种乡愁，带着对逝去的或曾经想象过的（可能是）的悲伤和悲伤，特别是在威尔士和威尔士文化的背景下。——作者注
西西弗斯（Sisyphys），西西弗斯是希腊神话中的人物，西西弗斯因为绑架死神而触犯了众神，诸神为了惩罚西西弗斯，便要求他把一块巨石推上山顶，而由于那巨石太重了，每每未上山顶就又滚下山去，前功尽弃，于是他就永无止境地做这件事。——译者注
Hireath (An Englyn)
stone bridge bisects valley—boundless patch
thatch, stitch, echoes carry
over to a tired estuary
hedgerows are a rubbed poultice on old road wounds
marred dead runes—all the gone
violet terminus shone
nearby, sisyphys scales down his cloud in proud amnesia trails
goes this antichthon mass
scarred Wales
Note:
Hireath (‘hEer-rIth) is a Welsh word that has no direct English translation. It can be likened to a homesickness tinged with grief and sadness over the lost or once imagined (that which might have been), especially in the context of Wales and Welsh culture.
地球作家（地书）
地书
是呼吸
破碎的十四行诗
祭品，天坛之子
陶然亭知府、书法家
像石头一样被束缚着，旋转着
字符浮动，移位
潜逃，是自由的
地书是手臂导向刷出
根本和根源滑动，弯曲的雕文
上升的一缕
地书是上升，滑过
竹脚手架已结痂
巨大的玻璃运送
超级现代空间
不完整的乙酸酯摇晃
什么时候做超声波检查
成为十四行诗
十九岁时地书是普拉斯
冷硬的拱门
肋骨和髋部骨折
门廊下面是
休眠卷曲
假肢脊柱
解决胎儿的开始
陌生人紧跟着脚步，寻找着
她是树的主人
猛然抽身回看
探照灯的曲线
把她的身体切成两半：
发现一半月亮
失去的是机会
迷路
我一直在这里，我从未离开过
延音符号只是其中一个站点
The Earth Writers
dìshū is
breath of
broken sonnet
an offering, born of Tiantan and
Taoranting prefects, calligraphers
bound to stone, as, with a twirl
characters float, shift
abscond, are free
dìshū is arms guide brushes out
radicals and roots slid, curved glyphs
ascending wisps
dì shū is rise, slip through
bamboo scaffolds scabbed to
envoi of glass, vast
supermodern space
iffy, etoliate shake
when does sonograph
become sonnet
Dishu is Plath at nineteen
a cold hard arch
of rib and hip
beneath the porch, is
dormant curl
parenthetical spine
resolves the fetal beginning
strangers in lock-step, searching
she is the hold the trees
whip back to watch
the curve of the searchlight
carves her body in half:
meniscus of found
lost is the chance
to be lost
is I am here, I never left
is where fermata is just a stop
地方区域
高原在震惊中展开
波浪汹涌钻入空洞
抽水机叩头寻找化石
用保护符号标记的挖掘
风景与心灵；同时发生
覆盖的考古学
一位新闻记者问我做了什么
我在思考中国的生态政策
大自然如何影响我的写作
在我们上方一个白色的蒙古包
上面有两个画的眼睛
悲伤的大白伞盖佛母
白色的阳伞下地方佛教长官精神
一个钴蓝的符号翻滚穿越
两个遥远的塔架看起来像
表意文字“门”：“欢迎
来到”混杂的藏文字母出没
英文文本，关于什么
荣誉与圣湖
我想知道从太空是否能看到这个湖？
“这有什么关系？”今今回答
“太空仅限亿万富翁使用”
我们在这里浪漫化（我应该
给记者一个回答）这片土地
不适合我，也不适合大多数人
我把手插在口袋里
吧唧拔出泥泞中的立足点
记者的问题还在风中翻滚
Prefecture
the plateau unfurls in shock
-waves over borehole hollows
pumpjacks kowtowing for fossils
digs flagged by protection symbols
landscape and mind; concurrent
archaeologies, overlaid
a news reporter asks me what I
think of Xi’s ecological policies
how nature informs my writing
above us, a white yurt leers with two
painted eyes, sad sitatapatra: the white
parasol, Buddhist prefect spirit
a cobalt sign threshes, traversing
two distant pylons, what looks like
the ideogram, 门 Mén: "Welcome
to…” spiked Tibetan script haunts
the English text, something about
accolades and the holy lake
I wonder if the lake is visible from space?
“why does that matter?” Jinjin replies
“…space is only for billionaires”
we are here to romanticize (I should
give the reporter an answer) this land
is not meant for me or for most
I plant hands in pockets and squelch
a foothold in the mud, the journalist’s
question still threshing in the wind
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