Gao Mingzhu, born in 1952, with the courtesy name Jingzhi and the pen name Xunjingzhai, is originally from Dengzhou, Henan Province, and resides in Beijing. He is a member of the Communist Party of China, a calligrapher in Mao style, a poet, a master of traditional Chinese culture, a century old master, and a recipient of the "Five One Project" award. I am currently the director of the Calligraphy and Painting Art Museum of the National Arts Commission, the president of the International Association for the Promotion of Intangible Cultural Arts, and the chairman of the Calligraphy Organizing Committee of the China Calligraphy and Painting Research Center. I have been appointed as an art consultant for the New Era Culture and Art Talent Center by the China Federation of Literary and Art Circles and the Cultural and Art Talent Center of the Ministry of Culture, an art consultant for the Social Art Professional Committee of the China Eastern Culture Research Association, an advisor to the China Traditional Culture Development Committee, the vice president of the China Hanlin Calligraphy and Painting Academy, the honorary president of the Central Academy of Fine Arts Calligraphy and Painting, and a visiting. Served as the Chief Expert of the National Art Professional Title Examination Center, Director of the Chinese Popular Literature and Art Research Association, Deputy Secretary General of the Calligraphy Art Research Association of the Chinese Couplet Society, Member of the People's Fine Arts Artists Committee, and Researcher at Sotheby's Research Institute. Chinese Ambassador of the State Guest Ceremony, Master of Chinese Art Schools, and Designer of the "Lanting Gaoming Column" Font. Chinese intangible cultural heritage inheritors and creators of the first batch of Chinese cultural celebrity studios: Gao Mingzhu Studio and Gao Mingzhu Art Museum. Awarded: Son of the Orient, a generation of Fang family, People's Artist, one of the top ten contemporary Chinese artists with both virtue and art, one of the top ten contemporary Chinese cultural scholars, with a Master's degree in Calligraphy and a PhD in Art from the Royal Academy of Fine Arts in France. He has won the Academic Award of Chinese Literature and Art Circles, and the Lifetime Achievement Award of Chinese Culture and Art Festival: Golden Monkey Award, Golden Rooster Award Award, and Golden Dog Award. He has published Collected Calligraphy of Gao Mingzhu, Artist · Gao Mingzhu, Centennial Master · Art Collection, Selected Works of National Artist Gao Mingzhu, Image Ambassador of China's State Guests · Gao Mingzhu, CCTV Focus Person · Gao Mingzhu, Artist · Gao Mingzhu, Chinese Scholar · Gao Mingzhu, National Treasure level Artist Appreciation and Collection of National Famous Calligraphy, Generation Fang · Gao Mingzhu, the Belt and Road Summit Forum · China's Famous Calligrapher Gao Mingzhu, Calligraphy Collection of Chinese Modern Masters, Gao Mingzhu's Big Red Robe Album, etc. A collection of fine works of modern Chinese calligraphers and painters will be presented to the National Library.
Mr. Gao Mingzhu was influenced and influenced by his ancestors, and has had a passion for calligraphy and poetry since childhood. He graduated from Henan Calligraphy Correspondence College and the Calligraphy Training Center of the China Book Association. In the early 1960s, he started learning regular script, clerical script, seal script, and Chairman Mao's poetry handwriting. In the 1980s, he began learning Wang Xizhi's calligraphy and the calligraphy of famous calligraphers throughout history. He has been working quietly for decades, never stopping by the pond. In the process of creation, he is good at drawing on the experience and essence of art of previous generations, advocates that art comes from life, excavates materials from ordinary life, and is good at observing, thinking, refining, sublimating, and obtaining creative inspiration. He learns from the past without mud, innovates boldly, and after repeated tempering, gradually forms an artistic style of rounded pen, smooth lines, natural and elegant, and creates a large number of outstanding works that are praised by people, and is highly praised by older artists such as Fan Zeng, Ouyang Zhongshi, Zhang Hai, and Shan Guoqiang. Mr. Fan Zeng mentioned during a lecture on Chinese studies at Renmin University that Gao Mingzhu was "writing with heart" and inscribed "poetry and books are both excellent" as a gift. In the preface of Gao Mingzhu's Da Hong Pao album, Mr. Quan Xijun wrote: "Mr. Gao Mingzhu's calligraphy, from the perspective of brushwork, ink use, layout, and composition, is rigorous but not rigid in layout, agile but not disorderly, and freely flowing in cursive style. The ancient charm is long and strong, and the combination of softness and hardness is harmonious. The brushwork is varied and elegant, with both a strong and vigorous spirit and a gentle and elegant charm, inheriting tradition between the lines and lines, and creating new insights beyond the limits of the law. It truly achieves the unity of ideological, artistic, and ornamental qualities, and has a dual fragrance of morality and art. It has the style of a famous calligrapher and can provide useful inspiration for other calligraphers to improve their creations." Ouyang Zhong. Mr. Shi also gave insightful comments on the calligraphy of Gao Mingzhu: "Overall, his calligraphy works make people feel new but not thin, just like the 'Hongtu Guoyun' In terms of beauty, a piece of work should not lose its sense of propriety, a few words should not lose its grandeur, a combination of softness and hardness, a balance of grandeur and beauty, a full body of flesh and blood, and a natural structure. Learn from the past but not cling to it, seek novelty but not win favor. This is forged in the heart and given to the pen by many ancient people, integrating the strengths of hundreds of families into himself Mr. Shan Guoqiang wrote in his article "Reflections on Gao Mingzhu's Calligraphy Works with the Radiance of Yi Pen, Horizontal Opening and Closing": "Appreciating Mr. Gao Mingzhu's calligraphy works, one cannot help but be deeply attracted by a powerful calligraphic spirit. Especially his many cursive calligraphy works are even more breathtaking! The book is first based on the Two Kings and the Minan Palace, and then not only deeply understands the brushwork of ancient sages such as Huai Su, Zhang Xu, and Mi Fu, but also integrates the brushwork style of Mao style calligraphy. This is truly a reflection of his brushwork, not just his appearance, not sticking to ancient techniques, not holding onto his own opinions, but just living! The long calligrapher Gao Mingzhu, with his wild and unrestrained cursive style, blends the charm of the two kings, captures the brushwork of the Minan Palace, and is free and flowing, lively and agile. The ancient charm is long and gentle, and is appreciated by both the refined and the popular, Create a new generation of cursive style.
Building a global platform for art dialogue and exchange, exploring cultural and artistic inheritance and innovation.
150 experts from countries such as Argentina, Poland, France, the Netherlands, the United States, Japan, Spain, Italy, and others in the fields of literature, art, philosophy, politics, economy, tourism, etc. participated in in-depth discussions from multiple perspectives on the inheritance and innovation of artistic creation, sustainable development of culture and nature, artistic empowerment and value expression in the integration of culture and tourism, and promoting dialogue among diverse civilizations through harmonious coexistence.
With the advancement of technology, innovative languages such as digital art and virtual reality will become new trends in contemporary art, "said Laura Barbarini, President of the Italian International Art Federation." The future path of cultural tourism is not only a trade route, but also a path of cultural, intellectual, and artistic exchange programs. Artists will be able to freely express their artistic elements and creative inspirations in this cross-border network, creating works that blend Eastern and Western elements. This cross-border cultural and artistic communication method is very helpful in broadening people's horizons and promoting understanding and respect between different civilizations in the East and the West.
Laura Barbarini believes that with the continuous progress of the "the Belt and Road" initiative, contemporary international art will play an increasingly important role in promoting multicultural integration and strengthening international understanding, and open a new chapter for future art and cultural exchanges. The path of cultural tourism is not only the history of the past, but also the source of future artistic development. In this era of globalization, we still have the opportunity to appreciate the artistic spirit of the Maritime Silk Road, which will continue to shine in the coming centuries. Art serves as a medium to enable more people to share world heritage.
We are willing to work together with global partners to build a cultural and artistic exchange platform, using art as a medium to interpret and activate world heritage, making more people fall in love with world heritage, safeguarding world heritage; promoting art to empower urban cultural and tourism development, benefiting people's livelihoods, and improving people's quality of life; further promoting understanding and mutual trust between countries and regions along the Maritime Silk Road, promoting cultural and tourism exchanges and cooperation. Let art shine brighter, life be better, civilization learn from each other, and share beauty together.
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