鲜活人间：丁雄泉的野兽派写意 | “在场：当代中国艺术家”|丁雄泉|九城艺术|写意|当代|水墨|石版画|绘画|鲜活人间

主办| 匈牙利文化与创新部、布达佩斯国际当代艺术博览会组委会

Organizers: Ministry of Culture and Innovation of Hungary, Organizing Committee of Budapest International Contemporary Art Fair

展览地点| 匈牙利布达佩斯MTK Sportpark展览馆

Venue: MTK Sportpark Exhibition Hall, Budapest, Hungary

展览时间| 2026年10月14日至18日

Exhibition Dates: 14 – 18 October 2026

前言

PREFACE

艺术在特定的时间、空间与文化语境中不断生成意义。作品不仅因创作而诞生，也因观看而成立；不仅属于艺术家，也属于它所进入的现场。

本次展览与画册出版以“在场”为题，汇集中国当代艺术家的多元创作，于布达佩斯国际艺术博览会呈现。这里的“在场”，不仅意味着作品出现在国际艺术舞台，更意味着一种文化经验、一种精神气质，以及一种属于中国当代艺术的表达方式，进入全球艺术交流的共同语境。

艺术的意义，不仅来自作品本身，也生成于它所处的场域。当作品进入新的文化空间，它既保持自身的文化根性，也不断获得新的观看方式与新的诠释可能。正是在不同文明之间的相遇之中，艺术不断拓展自身的边界，也不断丰富其存在的意义。

“在场”因此不仅是一种存在状态，更是一种文化姿态。它意味着开放而自信的呈现，意味着平等而真诚的交流，艺术家的“在场”，意味着以独立的艺术语言，进入世界艺术语境，并在持续的交流与对话中确立自身的文化位置。

Art continuously generates meaning within specific temporal, spatial, and cultural contexts. An artwork is not only brought into existence through the act of creation, but is also realized through the act of viewing; it belongs not only to the artist, but also to the context in which it comes to be present.

This exhibition and accompanying catalogue, titled “Presence,” brings together diverse works by Chinese contemporary artists and presents them at the Budapest International Art Fair. Here, “Presence” signifies not merely the appearance of artworks on the international art stage, but also the entry of a cultural experience, a spiritual temperament, and a distinctive mode of expression rooted in Chinese contemporary art into the shared language of global artistic exchange.

The meaning of art does not arise solely from the artwork itself; it is also generated through the field and environment in which the work exists. When an artwork enters a new cultural space, it retains its own cultural roots while continuously gaining new perspectives of viewing and new possibilities of interpretation. It is precisely through encounters between different civilizations that art expands its boundaries and enriches the meaning of its own existence.

Therefore, “Presence” is not merely a state of being, but also a cultural attitude. It represents an open and confident presentation, as well as an equal and sincere dialogue. The artist’s “presence” signifies entering the global artistic discourse through an independent artistic language, establishing a cultural position of one’s own through continuous exchange and conversation.

“在场：当代中国艺术家”系列专题

丁雄泉

DING XIONGQUAN

一笔绚烂，万物向荣

ONG STROKE OF RADIANCE, ALL THINGS THRIVE

丁雄泉自号 “采花大盗”，他的艺术一贯赞美自然、感官、现世的生命力。这幅 1985 年的石版画《生生不息》，是丁雄泉典型的全景式花果静物，画面铺陈出一场丰盛热烈的生命盛宴。以满幅盛放的牡丹、百合、向日葵，堆叠的鲜果与笼中彩鹦鹉，构筑丰饶绚烂的生命图景。作品以东方写意线条搭配野兽派式浓烈色彩，借花、果、生灵的意象，诠释生命生长、繁盛、循环往复的永恒活力，是丁雄泉对自然万物蓬勃生命力的由衷礼赞。

Walasse Ting styled himself “the Flower Thief”. His art consistently celebrates nature, sensory experience and the vitality of the present world. This lithograph Eternity, created in 1985, is a characteristic panoramic floral and fruit still life by Walasse Ting. The composition unfolds as a lavish, exuberant feast of life. Featuring full-bloom peonies, lilies and sunflowers across the picture plane, piled ripe fruits and colourful parrots in cages, it builds a rich, resplendent vision of life. Combining Oriental freehand brushwork with Fauvist bold colours, the work employs imagery of flowers, fruits and living creatures to interpret the eternal energy of life’s growth, prosperity and cycles. It stands as Walasse Ting’s sincere ode to the thriving vitality of all things in nature.